Soul Mate 180°

Crossing Outside, Crossing Inside/Outside, Crossing Inside -

Kirsten Mosher  Created for the exhibition, I Was A Male Yvonne de Carlo curated by Marie de Brugerolle and Dora Garcia at the MUSAC, Leon, Spain, 2011 Crosswalk tape, sidewalk, hallway/atrium, loading dock

Kirsten Mosher, 2008, video,16:48" with room, couch, street stripe and "Fred" at the Mills Gallery, Boston Center for the Arts, for my exhibit Free Parking, curated by Jose Luis Blondet.

Kirsten Mosher, 2008, Traffic tape, sidewalk, building. Created for my exhibit Free Parking at the Mills Gallery, Boston Center for the Arts, curated by Jose Luis Blondet.

Kirsten Mosher, Mural, 2008. Installed at the Boston Center for the Arts for my show Free Parking.

Automotive Stories by Kirsten Mosher

I have published a series of ads containing short stories in the Automotive sections of local newspapers.

Suspension of Disbelief, Greenfield Recorder, Autos for Sale, July 19, 2008, F4

Suspension of Disbelief Cont., Greenfield Recorder, Trucks /SUVs/Vans July 12 2008, F3

Driving Inside and Free Parking, Boston Globe, Sunday Sept. 14, 2008 Classified, J21

Carmen, Beacon Free Press, October 15, 2008, Automotive, pg. 15

Looking Up Window, Beacon Free Press, May 6, 2009, Vehicles, pg. 13

Kirsten Mosher, 1993, performance, Stadtfarhrt City Tour, Hamburg, Ein Project von Sabine Siegfried and Eva Bothe

There are two bus drivers and two buses and two groups of passengers.

The passengers board the two buses.

The bus drivers drive the buses to a strip by the docks in Hamburg.

The passengers get out and gather on the edge of the strip, now they are audience.

The bus drivers check over the engines, now they are bus racers.

There is a starting line a flag and a flag waver.

The drag race starts.

One bus wins and the other loses.

The loser complains that his engine wasn’t as good as the winners engine.

The winning bus driver is presented with a bottle of champagne by the artist.

The audience gets on the either the winning bus or the losing bus.

The passengers are driven back again by two bus drivers.

Later there is a party.

Kirsten Mosher, 1998, backstop, bases, pitcher’s mound, foul lines, stadium lighting, and intersection at Ninth Avenue and 22nd Street, NYC.                       

“In January Mosher transformed the crosswalk of 9th Avenue and  22nd Street into a temporary baseball diamond complete with backstop, bases and a pitcher’s mound.  The crosswalks, which double as baselines, extend beyond the curb to each base, and the backstop is integrated into a pre - existing fence on the northwest corner of the intersection.  In order to create the backstop, the Public Art Fund engaged Chelsea Gardens to convert a segment of their fence into this essential part of Mosher’s piece.  Fortunately during the winter months this nursery had little use for the outdoor corner of their fenced - in property and agreed to allow Mosher to transform the area into a regulation backstop, complete with the visual metaphor of the intersection as a baseball diamond.”

            Quoted from Inprocess volume 6,#3 spring 98, page 2

Kirsten Mosher

The first in a series of short video’s featuring a battery operated toy soldier camouflaged by a cardboard car cut-out. Carmen crawls across an intersection near the Holland Tunnel where she is eventually crushed under the wheels of a taxi.